In today's digital photography world, we rarely see the optical viewfinder other than the DSLR camera and some compact/system cameras.
I am a strong advocate of composing through a viewfinder rather than an lcd monitor. I believe one can engage closer with the subject matter and there is something magical about seeing your subject through the viewfinder it's the window to the world, while the lcd monitor is somewhat and electronic representation of the world you are viewing which can often be difficult to get a clear picture with constant brightness shining into your view.
However the lcd monitor does have it's place. I own a Ricoh GR Digital camera, a wonderful compact camera with an air of professionalism about it. I carry this camera with me almost all the time when I am out. It does have an option to attach an optical viewfinder to it but at the moment I am happy using the lcd monitor as I tend to shoot freely with this camera and spend little time composing but more of capturing the moment.
The optical viewfinder has been part of my visual diet since I took up photography in the good ole days... when I had a choice of taking 12. 24 or 36 shots so I had to be critical in what I photographed. The optical viewfinder is where I would had to make this decision.
Up to present day I have been through a number of digital compact cameras but have struggled using the lcd monitor to compose. However I have met my match in the Ricoh GR Digital the size and the ergonomics just feel right and I'm beginning to understand using the lcd monitor, this in turn has let to my evolution of street photography and shooting in a more 'free spirit' kind of way.
It is worth noting the recent introduction of the Fuji X100 compact camera in the market. I have come up close and personal with this camera at a recent trade show. It has a revolution hybrid viewfinder which appears to be one of the biggest selling points of the camera and it's retro styling. The camera is an object of desire but I don't think I can part with a almost four figure sum...
To conclude the optical viewfinder wins hands down but the lcd monitor does have it's place, however it's taken me around half a dozen compact cameras to finally accept this...
Monday, 18 April 2011
Wednesday, 13 April 2011
A surreal landscape
A surreal landscape, a set on Flickr.
Recent photography from this amazing surreal space in Dungeness UK.The area is expansive with much visual food to digest. I used my beloved Ricoh GRD for the black and white shots and Nikon D300 for the colour ones. At times I wish I had several pairs of hands as I couldn't decide which camera to shoot the subject with, I guess I was visualising in both colour and black and white...
Friday, 1 April 2011
A Freelance digital photographer's creative block...
I read an interesting article on that dreaded creative block, the article can be found at the Black Star Rising site, it's very informative and illustrates a few pointers to get the ball rolling.
This inspired me to take out my Nikon D300 equipped with an 85mm lens, a lens I normally use only for indoor portrait work. This resulted in a very liberating experience. Having a fixed lens is a good visual exercise in seeing and more challenging in forming composition. YOU are now the zoom for the camera... If you need to zoom into a subject you have to move closer to the subject and to zoom out you move away further, simple!
This inspired me to take out my Nikon D300 equipped with an 85mm lens, a lens I normally use only for indoor portrait work. This resulted in a very liberating experience. Having a fixed lens is a good visual exercise in seeing and more challenging in forming composition. YOU are now the zoom for the camera... If you need to zoom into a subject you have to move closer to the subject and to zoom out you move away further, simple!
Using natural and available light in digital portrait photography
I have been an advocator in using natural or available light in my portrait photography.
I believe having the minimum amount of kit makes people more comfortable when having their photograph taken instead of being blinded by light flashes or being intimidated by a tower of lights surrounding them.
Through this technique I have now developed my unique style of shooting portraits coupled with a natural relaxed approach which I believe brings the best out of people, here are a few examples which were commissioned for The Charity Commission and Jardine Lloyd Thompson Insurance Group.
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